[experimental, electroacoustic, avant-garde] Zbigniew Karkowski, Tetsuo Furudate, Zeitkratzer - 2008 - World As Will III (FLAC, Sub Rosa 282)
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Torrent Hash : | 72F0FFC570A8D510596F32E30475D2E4C1A6BD3B |
Torrent Added : | 1 Year+ in Music - Music |
Torrent Size : | 299.34 MB |
[experimental, electroacoustic, avant-garde] Zbigniew Karkowski, Tetsuo Furudate, Zeitkratzer - 2008 - World As Will III (FLAC, Sub Rosa 282)
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Torrent File Content (10 files)
Zbigniew Karkowski, Tetsuo Furudate, Zeitkratzer - 2008 - World As Will III (FLAC, Sub Rosa 282)
art
4.jpg -
art
4.jpg -
117.34 KB
2.jpg -
84.82 KB
1.jpg -
74.23 KB
3.jpg -
61.24 KB
01 - Mergence.flac -
123.86 MB
03 - Mix White.flac -
119.77 MB
02 - Below the Demarcation.flac -
55.38 MB
i.txt -
2.33 KB
aucdtect.log -
1.07 KB
Torrent downloaded from www.DNoid.me - Demonoid.txt -
56 bytes
Description
Music : Other : Lossless
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Sub Rosa SR282.
1 Mergence 24:41
2 Below The Demarcation 7:58
3 Mix White 14:35
Zeitkratzer:
Reinhold Friedl: piano, artistic director
Burkhard Schlothauer: violin
Anton Lukoszevieze: cello
Uli Phillipp: bass
Frank Gratkowski: clarinet
Franz Hautzinger: trumpet
Melvyn Poore: tuba
Marc Weiser: electronics
Maurice de Martin: perccussion
Ralf Meinz: sound
All pieces were composed between 2003-2005.
Mix White is recorded at Archipel Festival, Geneve, Switzerland, March 23, 2004.
It can be hard for musicians to read the prose of people who think they are entitled to write about this very intimate experience : listening to music. In fact, writing about music is a wager you cannot really win. What can you base your writings on? Your personal impressions? Your understanding of the work? At least try to describe the music? What is being revealed when our mind sticks to the materiality of sound? Obviously, conveying one's personal experience is the difficult aspect.
The only thing I ever wrote about Karkowski's music is this:
As many of Karkowski's pieces, this is a highly delicate yet physical work, whi